Feel Free

by Zadie Smith, Hamish Hamilton, 464pp, £20

If you happen to work or live with someone who is uncommonly tall, it is unlikely that they preface many conversations with “Being a tall person…” Constantly reaffirming one’s own identity, or aspects of one’s physical appearance, is unnecessary. However, Zadie Smith, at least in this collection of essays, often reminds her readers that she is a) a novelist, b) a mixed-race woman and c) middle class. She is, at the same time, extraordinarily open and her essays, on topics ranging from Spielberg to Seneca, traverse pop and high culture with ease.

A defiantly personal standpoint makes for an entertaining read, but is a weaker basis for argument. Beginning Feel Free with politics, Smith says: “Much has been written about the shockingly irresponsible behaviour of David Cameron and Boris Johnson,” here stating an opinion, while swerving an exact claim to it. About Facebook founder Mark Zuckerberg, Smith writes: “Here’s my guess … he wants to be liked.” If that’s true, he has a funny way of showing it.

Feel Free is at its most enriching when Smith crosses between philosophy and literature, writing thoughtfully, for example, about how an online profile “reduces” an individual, or about the power of fiction written in the first person.

Smith lacks a committed critic’s resolute detachment, meaning that essays aimed at specific works can miss their mark. For those who haven’t seen the film Anomalisa, Smith’s description of it sounds like someone recalling a nightmare. But the fabulous “Dance Lessons for Writers” is considered, clear, and insightful.

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